{"id":18109,"date":"2020-10-31T17:36:06","date_gmt":"2020-10-31T15:36:06","guid":{"rendered":"http:\/\/www.vesuvioweb.com\/it\/?p=18109"},"modified":"2020-10-31T17:36:06","modified_gmt":"2020-10-31T15:36:06","slug":"francesco-solimena-nella-chiesa-del-gesu-napoli","status":"publish","type":"post","link":"https:\/\/www.vesuvioweb.com\/it\/2020\/10\/francesco-solimena-nella-chiesa-del-gesu-napoli\/","title":{"rendered":"Francesco Solimena nella chiesa del Ges\u00f9 Nuovo a Napoli"},"content":{"rendered":"

Francesco Solimena nella chiesa del Ges\u00f9 Nuovo a Napoli<\/strong><\/span><\/h2>\n

Di<\/p>\n

Aniello Langella<\/strong><\/span><\/h4>\n

 <\/p>\n

Una volta varcata la soglia della chiesa del Ges\u00f9 Nuovo, si viene quasi\u00a0rapiti dall\u2019interno poco illuminato e che contrasta nella luce della Piazza. Ma in breve ci appaiono chiare le geometrie dell\u2019interno traboccante d\u2019arte e di dolce raccoglimento. Dal pavimento, al soffitto delle cupole, dagli altari laterali a\u00a0quello centrale, dai decori dei pilastri e delle balaustre agli affreschi, abbiamo la
\npercezione che la nostra visita non debba mai terminare e che pi\u00f9 oltre vi \u00e8 ancora qualcosa da narrare e ancora pi\u00f9 in l\u00e0 altre cose da ascoltare.\u00a0Sopra, sovrasta la porta d\u2019ingresso la parete del contraltare, dove il Solimena dipinse la Cacciata di Eliodoro dal Tempio. Occupa tutta la superfice.\u00a0Dall\u2019architrave della porta d\u2019ingresso al soffitto e da un lato all\u2019altro del limite delle navate laterali \u00e8 tutto suo lo spazio. Qui l\u2019artista oper\u00f2 qui completando e\u00a0firmano l\u2019opera nel 1725, come si legge in basso a sinistra.\u00a0\u201cOn peur cependant assurer que rien d’essentiel n’y est omis, et l’on croie\u00a0que cette Gravure peut donner au moins une id\u00e9e et rappeller le souvenir d’un des principaux ouvrages de ce Ma\u00eetre\u201d.\u00a0Quasi a voler onorare ancora il progetto di Ciccio Solimena detto l\u2019abate,
\nil Saint Non vuole insistere e farsi perdonare. Ci sta dicendo, in realt\u00e0 che quantunque i suoi incisori e disegnatori siano bravissimi, in questo caso non sono\u00a0riusciti a rendere giustizia alla bellezza intrinseca dell\u2019opera.\u00a0\u201cL’ordonnance et l’ensemble de cette grande machine est assur\u00e9ment digne des plus grands-Ma\u00eetres, toutes les Figures sont li\u00e9es et groupp\u00e9es avec un art infini; cependant les masses d’ombres et de lumi\u00e8res \u00e9tant r\u00e9pandues presque par-tout \u00e9galement en diminuent l’effet: on peut dire aussi que la couleur\u00a0en est foible et grise, et le dessin dans beaucoup d’endroits peu correct\u201d.<\/p>\n

\"\"<\/a><\/p>\n

Aniello Langella – Francesco Solimena nella chiesa del Ges\u00f9 Nuovo a Napoli – vesuvioweb 2020.pub<\/a><\/strong><\/span><\/p>\n

 <\/p>\n

https:\/\/www.e-rara.ch\/zut\/content\/zoom\/4859487<\/a><\/strong><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

__________________________________________________________________________________________<\/p>\n

Bibliografia<\/p>\n

1\u00a0Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile di Saint Non, Jean Claude Richard de, 1727-1791. https:\/\/archive.org\/details\/gri_33125010908040\/page\/n197\/mode\/2up<\/a><\/p>\n

2\u00a0Bernardo de Dominici. Vite de’ pittori, scultori, ed architetti napoletani: non mai date alla luce da Autore alcuno, Volume 3. Nella stamperia del Ricciardi, 1743, pagina 579<\/p>\n

3\u00a0Ferdinando Bologna. Francesco Solimena. L’Arte tipografica, 1958<\/p>\n

4\u00a0Nicola Spinosa. Francesco Solimena (1657-1747) e le arti a Napoli. Ugo Bozzi editore s.r.l., 2018<\/p>\n

5\u00a0L\u2019immagine tratta dal Voyage Pittoresque \u00e8 di https:\/\/www.e-rara.ch\/zut\/content\/zoom\/4859486<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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